The Experience

me (proof I exist)!

Hannah (bride)on her wedding morning- deep breaths...

Sister in the mirror - emotional moment!

Award winning visual Storytelling on digital, 35mm film, and super 8.

If you're after a relaxed, intuitive, artistic and adventurous woman to capture your most meaningful moments with timelessness, careful and deliberate vision, and authenticity, you're in the right place.

You're almost there - the big day is almost here, and now you've found a photographer who might just be the perfect fit! Yes, THAT'S ME! My whole job, once you're on my books, is to make sure your whole experience makes you SURE that booking me was the best thing you ever did.

Wallis having a quiet moment - on 35mm film

what's included?

A pre-wedding engagement shoot to meet you beforehand and have some fun before the big day

Travel and Accommodation costs included

Location and wardrobe insight, if desired, and advice on recommended vendors

A relaxed, entirely stress-free editorial-meets-photojournalism shooting experience on the day, with no cringeworthy awkwardness EVER

A mix of digital and analogue (35mm) photography in every gallery

An online gallery of individually hand-edited, high-resolution images - NO AI culling or batch editing, EVER!

Personal rights to print and share worldwide

AVAILABLE EXTRAS: a second photographer to cover more angles, a Super 8 highlight video, 100% film-only coverage, fine art prints and luxury albums, Vogue inspired Coffee Table Books, Travel Sessions, additional coverage over multiple days, NDA agreements for total privacy, and even styling and planning advice (very popular for elopements).

"A number of people told me they regretted not prioritising an amazing photographer for their wedding so when I had high standards when I started looking for my own photographer. I loved Hannah's Instagram but also was so relaxed and energised speaking to her before booking. On a whim, we asked Hannah to photograph our four person elopement/Civil ceremony in London, instead of travelling down to Devon for our engagement shoot. Oh WOW is all I can say. Hannah was so excited in the run up to the civil ceremony (even sharing shoe/accessory recommendations!) and 100% got the brief of modern, street style photographs. She found additional locations near the registry which were just breathtaking and we had so much fun running around London with her. All of the photos are amazing and we were even more excited for the celebration we had planned with our friends. Our 'main' wedding was the complete opposite location - a sprawling house in the Devon countryside - and as soon as Hannah arrived it felt like another bridesmaid had appeared. She gave tips on how to hold bouquets, reminded me to do a make up refresh and is basically amazing. I loved the locations she found around the venue and taking time out to get some couple photos. My wedding was fab but I actually think the best choice I made in the whole planning (groom choice aside) was booking Hannah. I can't recommend her highly enough 💛"

Catriona said this about her bride journey:

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An elopement in London- on 35mm film

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Candid cake kisses

I personally only take on a limited number of wedding clients per year (usually 10-15) which means you have my full attention and I can offer a truly exclusive experience. As an independent female business owner, solo mother and full time photographer for whom this is my sole income stream, that's a big promise to make, but it's one that really ensures that my work is a cut above the rest at all times.

With that in mind, all offerings for all my shoots reflect high end photography rates and are thoughtfully tailored to each client and their unique requests. With every enquiry I send out a brochure of my most commonly requested packages, but generally every client these days needs (and wants!) a bespoke service and a bespoke package curated especially for them, their priorities, their wishes, and their budget considerations.

As a ballpark figure though, for those of you desperate for a vague idea before enquiring, my prices tend to range, for UK weddings collections, from £3500 to £7500+, with destination weddings being a bit more due to the extra costs and days away from home involved. When you enquire I'll send you my current brochure, with a few set packages with suggested pricing included, but bear in mind those packages are very generic and often can be tailored (and often NEED to be tailored) to suit your day and your requirements in the best way possible.

If you want to be one of my exclusive 10 for 2026 or 2027, please give me as much info as you can in your initial enquiry, and be as transparent as possible with your budget considerations, if any, and voila! - the process of building a bespoke package for your exact needs and every desire will be well under way.

What is the investment?

Every wedding is very unique in its own way, but one thing that is always consistent is how I show up for every one of my clients. For me, it looks like being a hawk all day long, alert and emotionally invested, never missing a beat. For you, a full day wedding package with me means no time limits - I arrive as early as you need and stay as late as you like, and immerse myself in your day as if I'm a guest, best friend, maid of honour, photographer and often even a subtle coordinator all in one. I use my emotional intuition and understanding of the ins and outs of weddings to decide exactly when to lead, and exactly when to be an unnoticed fly on the wall. I shoot much of the day quietly and unobtrusively, looking for the candid story-telling moments that really matter - but my clients also confidently look to me for direction or problem solving/advice, and that can mean anything from me simply shooting portraits and formal photos, to curating detail shots and subtly keeping the day flowing from moment to moment without stress or interference. Nothing maters more to me than making sure you have the best day of your life. Often, on a wedding day, I'm the only person by your side all day who has been there, seen it, and done it all before - nothing fazes me, and that calm assuredness and experience really brings a lot more to the table that 'just photography' (I'm losing count of how many panic attacks I've soothed now) but also ensures that the photography we get is everything you could hope for and more.

What Does a typical wedding day look like for you?

Yes—often and happily. I'm based in Devon, which is in the South West of the UK, and originally I'm from London, and I regularly go all over the UK. My newest and favourite new place to explore is Marrakech, Morocco, and I also spent half my childhood in New Zealand and have lived I Spain too, so much of the world is a home from home for me, and I am ALWAYS up for a change of scene and some adventure. And the best bit? There's no extra hidden costs for travel - I incorporate it into your quote from the very start.

Do you travel?

I typically book 12-24 months in advance for weddings, and I'm an open and spontaneous book for all other shoots you might have in mind. I always welcome last-minute weddings and elopements when possible though too, so it's always worth checking with me.

How far in advance should we book?

FAQ's

Tell Me More

I shoot on a mixture of Sony digital cameras (A9iii) and lenses (35mm, 105mm, 23mm), Leica film cameras (MP) and lenses (35mm), and vintage cameras and lenses, as well as vintage super 8 cameras for video highlights. I'm often adding new cameras and lenses to my collection though so these can all change now and then, but only ever for the better! I also have a drone that I often forget I own entirely these days, and an iPhone 16 Pro Plus for random BTS moments that I capture for reels etc when I can. With 35mm film I shoot mostly Kodak Gold 200, Portra 400, 800, and various others depending on the speed necessary for the light conditions. I'm quite a fan of some Ilford 3000 for major moody black and white grainy vibes when the mood is right. All my equipment is fully insured - as am I - and of the highest/best quality available in the industry.

What gear do you use?

It depends on the day, as a lot can happen (or not happen) and how much I shoot depends on how many elements are incorporated into your day - but in general an average full day UK wedding gallery has 800-1000 fully edited photos in it for you to enjoy.

How many photos do we get?

I deliver a preview of 20-50 photos within 48hrs of the wedding for you to make sure you have some fantastic photos to share from the day while I edit the rest. The final gallery is delivered in 8-12 weeks after the big day, and depends largely on where your wedding falls in the year and how many weddings are ahead of you in the editing queue. Early winter or beginning of the season weddings are often quicker.

What's your turnaround?

After you enquire with me I'll send you a brochure and we'll get chatting about what exactly you're after for your big day. Once you're happy with your quote and ready to save your date with me, you'll pay a 35% non-refundable deposit- or pay in full for a 10% discount. The full balance is due 3 months before the wedding. Once you've paid your deposit your date is saved with me, and if your booking included an engagement shoot (which most do) then we'll get a date in the diary to chat about locations and booking a date for that for you in the year ahead. That's when we meet and get a real feel for each other - for you it's how it feels to be photographed by me and directed for some romantic shots (very akin to the portrait sesh you can expect on the wedding day) and for me it's getting a feel for how you connect, what your vibe is overall, and how to put you both at ease in order to get the best out of you. It's a real trust-building exercise really that helps allay any fears about being photographed on the big day.

what is the booking process?

I shoot all sorts of things! When I'm not shooting weddings you'll often find me shooting for a whole range of clients. I love telling stories, whether its for local sustainable businesses and artists, capturing their process and helping them sell their products and position themselves within their industry powerfully, or whether its couples, families, women seeking boudoir sessions or maternity shoots, or even (and this is my current favourite) childbirth photography, I'm comfortable and inspired by it all. One of the greatest things I've found about honing my skills within wedding photography specifically is that it's a real baptism of fire when done right - with the average wedding ALWAYS involving a mix of photojournalism, storytelling photography, high end editorial photography, product photography, and fine art portrait photography, all with extremely limited control over lighting etc - so when I transition to studio work or controlled creative environments, everything feels easy and natural to me and surprisingly low pressure compared to weddings, which I love.